Jan
27
2012

Forks Over Knives

Today is usually free tutorial Friday, but I have been extremely under the weather and quite frankly do not have the energy to put that much brain power into a post.  So I am going to do something a little different, plant the seed if you will!  I recently spoke with my old supervisor, Shawn, (I would say his last name but he’d probably throw a fit, he doesn’t care to much for the lime light) who told me about a documentary titled Forks Over Knives.  This documentary changed his way of life through a newly adapted diet.  As I was sick laying bed ridden on the couch, I finally decided to flip on the old Netflix and stream Forks Over Knives.  I wont go into it too much, you’ll have to watch the documentary or you will have a biased opinion.  However after it was over, I bought the book and looked further into it with ForksOverKnives.com.

So how does this relate to Photography? Well the better you eat, the longer you live and therefore the longer you will be around to see the future of photography.  So instead of a tutorial this week, your homework is to check out this documentary!

Jan
25
2012

Farbspiel Photography, View, Learn, Connect

There is a new HDR tutorial resource on the web that is a one stop shop of HDR resources.  Many of the top HDRtists have contributed to Farbspiel Photography home of the HDR Cookbook.  I look forward to contributing to the site often.  I am sure you will find something here that suits your yearning for learning more about HDR Photography!  It just took off this week so it is relatively new, make sure you stop by often to see how the site evolves!

Jan
23
2012

Crazy Stairs at the Nelson Atkins Museum

I have been avidly working on the images from my last trip to Kansas City and the Nelson Atkins Museum.  I took a crazy looking shot of the upstairs view looking down on the granite staircase.  It turned out to be a very great HDR image, but I felt I could take it to the next level a bit.  So I flipped it and rotated it a couple of times and thought I had something even better.  However, a little birdy told me to continue playing with it so I did.  I am happy with the outcome and have actually started doing more of these and will more than likely continue.

I don’t really know what to call them yet, I mean isn’t that what you are supposed to do, name the new thing you are doing with a photograph?  Rotatographs, Flippozonatlverticograph, or I guess I could run them through Pixel Bender and call it a Paintograph or take an iPhone pic of it and call it an iPhonograph, isn’t that the new trend?

Tip For The Week:

If you ever flip or rotate an image around itself it is always helpful to reduce the symmetry where the copies meet.  Use Cut and paste, clone stamp, healing brush, or even the spot healing brush to cover up any obvious symmetry.  This will have an significant impact on the way the viewer interprets the image.  If there is too much symmetry the piece is easy to navigate.  Try a gentle balance of asymmetry and symmetry, this will fool the viewer for a few extra seconds.

Jan
20
2012

Quick Tip: Duplicating a Project

I use a pretty slick technique all the time that I don’t think I have talked about yet on the blog.  Have you ever been working on a project in Photoshop and wanted to duplicate the entire project without losing any data or layers?  I do all the time.  My old technique was pretty archaic, I would open a new document and re-size it to the current document size.  I would then drag and drop all of the layers I was working with onto the new document, many times I would have to ensure all the layers were aligned and it took several seconds and brainpower to make it happen.

Not anymore!  Next time you want to duplicate the project you are working on to make further edits, try this:

  • Go to the History Palette of the document you are working on.  If you do not have your layers palette open, on the menu bar click the Window menu, scroll down to History and click it. (Depending on your Photoshop setup, your palettes may not be set up like mine, don’t be alarmed if the screen shot looks different than your setup!)

  • Now click on the first icon in the bottom portion of the History Palette, it should read “Create new document from current state”
  • As soon as you left click it, it will open a new document at the exact state you selected from your history palette with all of the layers intact!
So how useful is that!  Let’s say you like where you are at your current state, but something tells you to keep filtering and keep working.  Then the unavoidable happens, you make an adjustment that you love, but then you make a mistake and reverting back to a past state ruins the one you love.  Well now you know that you can create a new document from the state you loved with all of the layers and you can sample areas from that document onto the other.  Pretty cool huh?  I use this all the time with my Actions before I run one.  It is not uncommon for me to duplicate the state and run the Action to see if I like it.  If I don’t, instead of finding the old state in my History panel I can just close out the document.  It saves a lot of time when you get used to it.

Jan
18
2012

NAPP Renewal, That Time Of Year Again!

My NAPP renewal ran out at the end of December, wait a second, you don’t know what NAPP is?  That’s the National Association of Photoshop Professionals, an amazing online resource for anyone who is into Photography, Photoshop, and Design.  So you still aren’t convinced are you, because you obviously know there are thousands of online resources for Photoshop.  Alright I get it, how about I just tell you my top 5 reasons for being a member of such an elite online community:

  1. Photoshop User Magazine: By far the best Photoshop magazine publication around.  I used to buy this magazine off the shelf for 10 bucks a pop, then I found out that NAPP members receive it at there doorstep for free with their NAPP membership!  They ship the magazine 10 times a year and it is packed full with helpful Photoshop and Lightroom tips and tricks.  Many photo magazines are packed full of useless adds and complete crap (I won’t mention any names), Photoshop User magazine however, gives you an absolute no crap guarantee!
  2. Quick Online Tutorials:  NAPP members get online access to a plethora of free and most importantly quick Photography, Photoshop, and Lightroom tutorials.  I don’t get much time to watch tutorials between making my own, up-keeping this blog,  and a 9 month old, but I can make five or ten minutes here or there to freshen up on the latest and greatest with the easy access NAPP provides.
  3. Discounts, discounts, oh and did I mention More Discounts?  NAPP members get exclusive access to discounts on very useful photo resources all over the web.  Last year, I saved over $62 on products and shipping with MPix.  There are too many discounts to name here, but check this out, free 3-5 day shipping in the US at B&H photo.  That alone could save you hundreds if you are a gear hog like myself!
  4. Renewal Perks:  I received the Adobe Photoshop CS 5 Book by Scott Kelby when I renewed my membership.  That is a near 30 dollar value on Amazon, for free!  The people at NAPP really know how to keep their followers coming back for more!
  5. The Help Center:  Yep, an online help center dedicated to helping you with any questions you may have from Photoshop and Lightroom to Cameras and Computer Gear.  They will take any question and give you the best possible answer.

So let’s do some laymen’s math here, a NAPP membership costs 99 US dollars, but you get ten $10 issues of Photoshop User magazine for free.  So 99-100 = 1 dollar in your pocket, but how about the $30 book I just received with my renewal for free, $31 in my pocket.  But then there is the $62 dollars I saved at MPix last year, that’s $93 dollars in my pocket.  So yes, I am telling you that I spent $99 on my Napp membership, but that membership in turn put $93 back into my pocket, not including the money I saved on shipping last year from B&H photo.

If you have read this far without clicking on this >NAPP< link then you either really care about what I am saying, you already have a membership, or you have some kind of adversity to saving money and learning about all things Photography.

Jan
16
2012

Kansas City, Nelson Atkins Museum, and More

This last weekend the wife and boy were out of town which means I had plenty of time to paint the town HDR!  Don’t get me wrong I cherish the time with my family and would not trade it for the world, but sometimes it is nice to have 7 hours of free time to gallivant through the city snapping away brackets like there is no tomorrow!  For the first time in a long time I shot 5 and a half gigs worth of HDR brackets and textures.

Kansas City holds a lot of promise for great photo opportunities.  You know it is going to be a great day when the first shot you make turns out awesome (the shot of the VFW statue)!  I then shot the church which was an amazing work of art.  I went inside to get my first indoor church shot, it seems that is a necessity for any HDR photog.  I did not get a chance to shoot the interior as there was a wedding party moving in.  I headed to the fountain outside the Plaza at the most inopportune time 1:30 PM.  There was no competing with the sun, it made everything look horrible.  So I cut my losses and headed over to the nearby Nelson Atkins Museum.

                                   

I love being infiltrated with inspiration and it is so easy to in a museum.  I started in the painting section and it made me want to paint again.  I then went to the sculpture section and low and behold, it made me want to sculpt again.  So I finished off at the Photography section to get myself back into what Blake does now!  The Nelson Atkins Museum is a great way to kill time and best of all, it is free!  I have been to the MOMA in LA, the MOMA in San Francisco, and several other paid museums and I have to say… they have NOTHING on the Nelson Atkins Museum!  If you are ever in KC, this museum is a must!

I finished the day off at O’dowd’s, an Irish pub in the plaza, ate a fantastic meal and had an awesome talk with a stranger about movies, cameras and well life in general.  Thanks for the convo Rick!  I stepped outside and snagged a few shots of the fountain nearby and the bridge over the stream.  Kansas City is known for its fountains, many of which were functional stopping points for horses to grab a quick drink on their way through.  Now every building that is erected puts some kind of fountain on its foundation.  Looks like I am going to be busy shooting fountains!

                                 

Tip For The Week:

Don’t think that because it is overcast at 11:00 AM when you start shooting that it will remain that way until 1:30 PM.  Try to plan your shots around the early morning and late afternoon.  I am not saying wait for sunrise, sunset, the  ”Golden Hour” or “Blue Hour” photographers that do that are limiting themselves to some awesome times to shoot.  However, it is very difficult to compete with the sun between the hours of 11 AM and 4 PM due to harsh shadows and highlight blow outs.  Between these times, the sun is usually directly over head and acts as a giant blinding spot light that casts harsh-hard shadows.  In the early morning and late afternoon the sun is at an angle and tends to cast longer-softer shadows.  I have several sun tracking Apps that make it very easy to judge the direction and angle of the sun, check out Sun Surveyor to get yourself started!

Also, Shooting In A Museum:

Museums do not allow you to shoot with a flash or use a tripod, and to top it off, they put near candle lighting in every room.  This makes it very difficult to get a decent shot of anything you want to document.  Try these tips next time you shoot in a museum:

  • Set the ISO high, as high as you can get away with without noise.  I set mine between 400 and 640, any higher than that on my E-30 and the noise gets out of control during tone mapping.
  • Set the f/stop to something wide, between f/2.8 and f/4.0.
  • Find something to brace yourself against if you can… a wall not a sculpture, the museum police don’t care for that sort of behavior!
  • If you are shooting for HDR, plant your feet in a stable position, bring your arms in tight to your chest, and control your breathing to a minimal exhale when you click away the brackets.  I call it the position of attack!

Jan
13
2012

Tidbits of Awesomeness in Action…

…no pun intended on the title, really, I’m not a punny guy!  If you haven’t ventured over to the Actions page recently to check out the new Everyday HDR approved Actions set, you probably should!  Today I want to show you just how easy they are to use and how quickly you can make a handsome looking piece of artwork from a simple HDR photo in a matter of minutes.  The image shown below took only 3 minutes to post process, from start to finish, 3 minutes.  Now I did talk a lot as usual so the video is about 5 minutes long, but check it out, you should be hopping on the Actions bandwagon in no time!

Jan
11
2012

Tidbits Of Awesomeness v1.0! Photoshop Actions

So I made these Actions and I think they are pretty darn good!  I don’t mean to gloat at all, but when you create an efficient beast that cuts off up to 50% post processing time on the average HDR image, you deserve that honor!  Have you ever used Actions in Photoshop?  If not you are really missing out.  These little life savers are awesome once you get them setup.

So what are Actions anyway?

They are common processes that are recorded, fine tuned, and used on any other photo brought into Photoshop.  For instance, there are 6 things I do to Every HDR images I drag into Photoshop:

  • Levels
  • Curves
  • Hue/Saturation
  • Brightness/Contrast
  • Noise Reduction
  • High Pass Sharpen

Instead of doing them every single time, I created an Action.  I simply drag any photo into Photoshop, I find my Post Processing Action in my Tidbits of Awesomeness Set and I press play.  After several seconds and limited editing, the process is complete and I am free to move onto bigger and more nit picky post processing.  The Actions are really only good for global adjustments, those that effect the entire image, tricky dodging and burning still has to be handled on the local level, areas that need special attention.  However, I save immense amounts of time running my post processing Actions prior to getting into the more picky stuff.  Between my Post Processing Action, the Dodge and Burn Action, and the Vignette Actions, I save about 3-5 minutes per HDR image. Yes I said 3-5 minutes, let’s do some math:

  • Little Timmy has 15 HDR images that he would love to Post Process.
  • It takes Timmy an average of 8-10 minutes to process a single image.
  • How long will it take Timmy to get them all done?
  • 120-150 Minutes or 2-2.5 Hours.

However!

  • Little Timmy just bought Everyday HDR’s Tidbits of Awesomeness Actions set which saves him 3-5 minutes per photo.
  • How much more time will Little Timmy have to do other things that Timmy loves?
  • He will have 45 Minutes- 1.25 Hours to do other things that he loves instead of redundant post processing.
  • That’s 37-50% more time Timmy has!
  • In Timmy’s business time is money folks!
  • All Timmy paid was $40.00 for this epic time saving Actions set.

So if you are ready to play through your processing, head over to the Actions page in the EverydayHDR Store.  Still not sold?  Check out this shot of my son, Michael, the whole image was created in about 4 minutes using 5 Actions from the set:

  • Start Post Process Action
  • 1 Click Black and White Action
  • High Pass Sharpen 6.0 Soft Action
  • Dodged Soft Focus Action
  • HDR Contrast Enhance Action

 

Jan
09
2012

KC Photography Meetup!

Have you ever used Meetup.com?  It is an interesting concept, there are people all over your area just like you, with interests like you and hobbies like you.  Meetup.com gives all of you the chance to do it together.  It is pretty awesome actually, my wife got me into it after she found a Mom’s Meetup.  She found some photography groups and sent them my way.  Sunday was my first Meetup, the mission was to go to the Plaza in Kansas City and shoot the doors, then put your shots on a thumb drive and bring them to the selected individuals place to take a look at all the shots that were gathered.  It went very well, it was a conglomeration of photographers from absolute beginner’s to advanced all with one common passion, shooting photos.  I had a blast drinking hot chocolate and looking at how other people interpreted the assignment.  I look forward to future meetups!

 

I am glad the topic was doors, I have always loved shots of doors but find myself very rarely taking them.  In a photograph, a door is so ominous and mysterious, the imagination can really run wild thinking about what or who could be behind them.  The Plaza offered some pretty interesting doors, while many of them were all glass shop doors, some were more intricate than others.  I decided to shoot my images on Saturday afternoon, which made it really difficult to get the shots.  I had to wait for shoppers to pass by, I am not one of those photographers that likes to be out in the open with my camera.  I prefer privacy so the passerby’s flustered me and made me feel rushed.  I was surprised to see how well my captures turned out when I pulled them into Photomatix.  I was also stoked to use many of my Actions on them, they really cut down on my post processing time.

Tips For the Week:

It is difficult to get the perspective perfect when you are shooting doors.  Instead of trying to frame up the perspective perfectly, frame up the shot so you have plenty of room around the door, don’t zoom in tight.  When you pull your shot into Photoshop, go to Edit>Transform>Perspective and adjust the perspective of the shot to make the door appear straight on its vertical and horizon.  you will notice that the perspective change may have forced the frame in a lopsided position.   No problem, because you did not zoom in tight, you can crop out the lopsided information and ensure you have the whole focal point, the door.

 

Jan
06
2012

Quick Tip: A Vignette of a Different Color

So vignettes have hit the streets running as one of those awesome ways to make an image go from eh.. to Wow…  I don’t want to like vignettes because they seem so cliche, but they work, they really work.  They do a great job of diverting one’s attention to the focal point in an almost subliminal way.  So how can we spruce up the vignette a bit to get a different look with the same concept?  Photoshop of course!  I have used the power of blending options, specifically Color, and really enjoy the outcome.

  • Duplicate the image layer you would like to vignette by pressing Ctrl+J (Cmd+J)
  • Go to Filter>Lens Correction  or press Shift+Ctrl+r (Shift+Cmd+r).
  • In the Lens Correction panel click on the Custom tab.
  • In the Vignette section change the Amount to -100 and the Midpoint to +15
  • Press Ok
  • Now, in the layers palette, select your vignetted layer and change the Blend Mode to Color.
  • And there you have it, a subtle, what I like to call, Color Reduction Vignette!  A nice alternative to the typical Vignette seen all over the web.
This Vignette effect is found in my Actions Package coming very soon to the Everyday HDR Store!  If you like what is going on here, you will love the fact that it is fully automated in my Actions set.  Check out this effect as well as 25 other Actions, all in one nice neat package!  The package will be available for purchase on 11 January 2012!

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